¶ … Working with Text" and "Not White, Just Right"
"Black Men and Public Space" by Brent Staples and "Not White, Just Right" by Rachel Jones are both examples of well-constructed prose in short essay format, designed to be creative but argumentative and factual at the same time. These two essays are both about personal experiences with racism, but the authors each address the topic from different perspectives. Taken collectively, the two essays show how multifaceted the problem of racism is in America, and how diverse Black experiences are as a whole.
In "Black Men and Public Space," Staples begins with the poignant statement, "My first victim was a white woman, well dressed, probably in her early twenties." In this one statement, Staples establishes the tone and content of the essay. Staples knows that Black men have been stereotyped as being lethal thugs and predators, hence the ironic use of the word "victim." Furthermore, Staples understands that the most common "victims" of Black men are wealthy, young, white women. The image of the Black man as violent sexual predator was one that permeated American racial stereotyping. Staples uses irony and dark humor in "Black Men and Public Space" to show how he has been the victim of racism in that he cannot even walk alone at night without being perceived of as dangerous. Because he is black, Staples frightens people. The author has become so accustomed to being perceived of and treated as a criminal that he has gotten used to it and has come to expect it, even when for humor's sake, he whistles tunes from the white cultural domain, particularly classical music.
In "Not White, Just Right," Jones talks about the segregation of cultural domains as well. According to Jones, many African-Americans perceive proper grammar and proper English as being a "white thing," and not just simply proper language use. Jones claims that by labeling proper English as "white," young Blacks are damaging their own future and hurting their chances to achieve success. It is a matter of self-sabotage. As Jones puts it, "some young blacks still perceive clear speech as a Caucasian trait. Whether they know it or not, they're succumbing to a dangerous form of self-abnegation that rejects...
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